Posts

“Girls shouldn’t touch our feet!”

It was Teacher’s Day. Many girls huddled around their favourite professor to touch his feet and take his blessings. I was one of them.  “Girls shouldn’t touch our feet!” We all looked at him upright.  “ I don’t believe in girls touching feet. I believe in gender justice.”  In the smaller pockets of India, such mind carried ideas that nurtured entire generation to recognise their birth and gender to realise the lives that were laid and the movements that were started to bring more and more girl child closer to literacy and accessible education.  Overcoming a personal loss, that ripped him apart to no lesser degree, he submitted himself to literature and the purpose it served in interpreting life. The grief in his heart, made the words come to life. The lines of his poetry and numerous publications gave art the direction where it was merely a means to be served.  The magnetic personality carried the aura of English Department wherever he went. I caught glimpses of him more at the crowds

THE NOVEMBER MAN- A LOOK AT THE ORIGIN OF SPY NOVELS

Image
  INTRODUCTION Who does 'The November Man' remind you of when you Google the title? James Bond, isn't it? Well, the lead is Pierce Brosnan popularly remembered as James Bond in the series of the same name by Ian Fleming.  Falling in the genre of spy thrillers, it is based on the novel by Bill Granger. There Are No Spies is the seventh installment of the novel series- The November Man. What Bill Granger and Ian Fleming have in common are the genre and the actor! You are not wrong if Mission Impossible series crosses your mind too! This makes us dig deeper into the history of spy novels. THE ORIGIN The early origins according to William Bendler takes us back to the Hebrew Bible titled the Book of Joshua. In it, Chapter 2 of the Hebrew Bible is considered to be the first spy story. However, spy fiction as a genre started to take shape in the early nineteenth century. The credit goes to American novelist James Fenimore Cooper. His works The Spy( 1821)  and The Bravo(1831) are t

POINTS TO REMEMBER IN ENGLISH LITERATURE- SERIES 3

 1. Jeremy Taylor (1613- 1667) was a clergy during the victory of the parliament over the king. He is also known as the ' Shakespeare of Divines ' and is often considered one of the most prolific prose writers in English Literature. Lesser Festival is observed in his honor on August 13. 2. The Liberty of Prophesying (1646) by Jeremy Taylor is an appeal for toleration. John Locke's Letters Concerning Toleration(1689) has been written on the same line.  3. Letters Concerning Toleration (1689) has been addressed to Philip Van Limborch, Locke's close friend. In the letter, he has spoken of his fear of Catholicism undermining the Protestant faith. He has also appealed for religious toleration. 4. An Essay Concerning Human Understanding( 1689 )  has been one of the most influential works by John Locke(1632-1704). A prominent figure in the Age of Enlightenment , he is also known as the        ' Father of Liberalism .'  5. The Age of Enlightenment also brought to

EVERY BRILLIANT THING- AN UPLIFTING PARTICIPATORY PLAY ON MENTAL HEALTH AND CHILDHOOD TRAUMA

Image
P articipatory theatr e is a form of theatre in which the audience interacts with the performers. Cited as avant-garde, the genre is unorthodox in the sense that it breaks "the fourth wall" that traditionally separated the performer from the audience. The performance engages the audience, making them active participants.  Every Brilliant Thing , a participative play written  by Duncan Macmillan and Jonny Donahoe  about addressing mental health, family and love, invites the audience to share the joy found in everyday objects.  The play- an intrepid one-man show, performed by underrated Vivek Madaan and adapted for the Indian audience by Quasar Thakore Padamsee has at its crux a boy who compiled a list of "brilliant things" for his 'amma' to cheer her up when she attempted suicide. Only seven, the perplexed boy seeks answers to his baba's rather unconvincing remark-"She did something stupid."  With the pandemic induced stressors and the suicide

AN EMAIL TO RANVEER BRAR- SUBJECT: GAJAR KA HALWA

  Hello, Sir! I hope this email finds you well. While watching this episode of yours, a few concerns came to my mind. It isn't related to your cooking skills, but what example you are setting in the society at large.  A few minutes later in the video, you say, “ I think every mother should gift her children a wonderful gajar ka halwa memory. “   While to a non- suspecting mind this line is of no consequence. But for me, it did raise a question- “ Why only women and not men?”, “ Why a ‘male’ chef who went against the tide to prove his mettle in a largely patriarchal order, come up with a line that it is only mothers who can give cooking memories to her children and not fathers?” Unknowingly, you are perpetuating the stereotype you stood up for.  My elder brother once sent me a video of yours featured in Josh Talks titled, “ Masterchef’s Success Story”. Interestingly, it were the women in the house who lit the fire inside you. But there was Munir Chacha too- he also gave you cooking

JAMES JOYCE- ULYSSES

Image
INTRODUCTION RTE.ie  is an Irish brand and broadcaster. Called Radio Television Ireland, its headquarter is in Dublin. It started its radio service on 1 Jan 1926 and television broadcast on 31 December 1961.  WHY IN THE NEWS? RTE has released dramatized content of Ulysses and other audios related to Joyce and his works.  Ulysses remains Joyce's one of most important works. It is considered a path-breaking work in Modernist Literature.   Originally broadcast in 1982 to celebrate James Joyce's 100th birthday. The RTE adaptation is considered widely for its 29 hrs and 45 minutes duration.  Click here  for a full view.  A peek at  RTE.ie audio dramatization

The Bride

  In the dead of the night, She stood in front of the mirror. In the company of her incompetence   Struggling to drape a saree. Rustling noises Cacophony of expectations  Jingle of the jhumka Burning kohl Ruddy    lips Flushed cheeks Coloured manicured nails  A bindi placed in the middle  To hold together. Her ragged nerves Met face to face   A woman  Staring long and deep  At lifeless cast aside skin. In her artwork  Carrying a draped complex fabric  The colours and hues The fragrance She set to walk in an arid landscape. Her feet bled  To water the listless  Her brow sweat  To provide refuge  Her eyes burnt brighter Than the scowling sun Her saree  Turned into a bed of lush greenery  As she lay to rest.